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Graphic

Explore 745 award-winning designs tagged Graphic on DXGN.

Hua Shanday Cultural and Creative Design

Mao Yuting Cultural and Creative Design Graphic

Hua Shanday

Hua Shanday is a visual identity created for the Huashan Scenic Area in Guangxi, China, a UNESCO World Heritage site. The identity draws on the 2000-year-old Huashan Rock Art made by the Luoyue people. Ancient totems showing ritual prayer and collective labor are extracted and rebuilt as clean geometric icons. The color palette keeps the red ochre tone of the original rock paintings. The system is applied to signage, posters and digital media, so that wayfinding also becomes an accessible educational experience.

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Agave De Ray Brand Identity

Bojun Tan Brand Identity Graphic

Agave De Ray

Agave De Ray presents a refined brand architecture for a Beijing based mezcal dealer, bridging Oaxacan heritage with urban hospitality. The project utilizes an adaptive identity where ingredients are personified as watchful spirits, merging playful illustration with a rigorous typographic system. By balancing artisanal textures with a muted earthen palette, the design establishes a sophisticated visual standard for boutique spirits, translating ancestral grit for a modern elite audience.

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Olympic Sun Illustrated Book

Mostafa Abdelmawla Ali Illustrated Book Graphic

Olympic Sun

A fully illustrated book about a trip to the Olympic Games in Tokyo 2021. Where a young boy, and his mother, visit the arena and fall in love with the variety of sports it offers and is blown away by all the inspirational athletic performances. At the end of the event, he leaves with happy memories and lessons that will help guide him to a better future full of achievements and put him on the path to success. The book features some of the most memorable athletes in the history of the Olympic games, using vibrant and dynamic illustrations in a playful and eye-candy coloring style.

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Biblioteche di Roma Rebranding

Ragù Communication Rebranding Graphic

Biblioteche di Roma

Biblioteche di Roma is a brand identity created for the public library network of the city of Rome. The identity marks the twenty-fifth anniversary of the library system and is intended to express innovation and accessibility. The historic logo showed a closed book resting on its side. The new symbol shows an open book that can also be read as the first letter of the name. The graphic sign is clean and essential. The identity is applied to the stationery system, digital touchpoints, advertising, outdoor media and signage.

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Huashan Festival Visual Identity

Professor Zhu Xuguang's Team Festival Visual Identity Graphic

Huashan

Huashan Rock Art Festival is a visual identity system created for a cultural festival in Chongzuo, Guangxi, China. The identity turns ancient pictographs from the Huashan rock art site into simple geometric graphics. A black and white palette and textured surfaces recall stone rubbings and weathered rock. Posters are made in landscape and portrait formats for small prints and large outdoor displays. Printed applications use recycled materials and plant-based inks. The aim is to make ancient heritage clear and accessible to modern viewers.

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Threepointone Corporate Identity

Jinlin Wang Corporate Identity Graphic

Threepointone

Threepointone is a corporate identity system developed for a multidisciplinary design context. The design is constructed using fundamental visual elements, including bespoke typography, geometric forms, and a restrained monochrome palette. Structured composition and controlled proportional relationships define a clear and consistent visual language. The system is applied across digital and print formats, supporting adaptability, scalability, and continuity while maintaining visual coherence over time.

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Hand Drawn Urban Map

Husheng PAN Urban Map Graphic

Hand Drawn

New Chinese Style is a hand-drawn urban map of Lanzhou, China. The map presents the only provincial capital through which the Yellow River flows. The line work is drawn with a fountain pen and then colored with watercolor on specialty paper, with a base sheet of 1.1 by 1.7 meters. A moving aerial viewpoint, inspired by classical Chinese painting, links landmark buildings, waterways, roads and folk scenes into one continuous picture. The finished product includes outer packaging, the map and two postcards.

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ldeafonts Qingyili Typeface

Shanghai Yichuang Information Technology Typeface Graphic

ldeafonts Qingyili

Qingyili is a Chinese typeface based on the official script of the Han Dynasty and on the angular brushstrokes of Northern Dynasties tablet inscriptions. The typeface keeps the silkworm head and wild goose tail stroke forms of traditional calligraphy. Character forms are upright and solid, with slightly expanded inner spaces and uniform stroke thickness that support clear reading. Several weights are available, so the family suits headlines and body text in both print and digital media. The aim is to join calligraphic character with modern typographic function.

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Radiant Health Corporate Identity

Ronnie Chan Jinrong Corporate Identity Graphic

Radiant Health

The visual identity for Radiant Health features a structured system that integrates clinical modernism with Asian symbolism. The design utilizes radiant sun motifs and bamboo forms, referencing holistic wellness and regional cultural themes. Distinctive use of custom typography, balanced color palettes, and modular layouts supports clarity, legibility, and adaptability across a range of applications. The resulting identity emphasizes patient-centered communication and flexibility, presenting healthcare environments with approachable and cohesive visual guidance at every point of interaction.

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Taoxichuan Visual Design

Wu Yao Visual Design Graphic

Taoxichuan

Taoxichuan is a scroll illustration created for a ceramic culture district in Jingdezhen. The illustration presents 600 years of porcelain history and the development of the district in one continuous composition. A flat painting style and bright colors build a fantasy porcelain forest in which plants, porcelain and figures are blended. Three original characters, the Kiln God, the Wine God and the Sea God, appear along the route. The vector artwork is layered for flexible cropping and prepared in both CMYK and RGB. The scroll also works as a narrative map that guides visitors.

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Zuojiang Huashan Day Brand Identity

Xuguang Zhu Brand Identity Graphic

Zuojiang Huashan Day

Zuojiang Huashan Day is a brand identity created for a cultural event that presents Huashan rock art, a World Heritage site in Guangxi, China. The identity combines motifs from the 2000 year old carvings with contemporary graphic design. Frog-shaped figures and bronze drum patterns form a coherent visual system, and the pinyin for Huashan is styled to recall cliff carving textures. Printed items include posters, paper bags, business cards, a rock art directory and silicone wristbands. The aim is to make the heritage site legible to a global audience.

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Before the Midnight Hour Furniture Illustrations

Martin Reznik Furniture Illustrations Graphic

Before the Midnight Hour

A series of black and white illustrations commissioned by Marc Krusin and featuring his most prominent furniture designs for Knoll and Desalto. Inspired by comics and noir cinema, the project breaks the conventions of furniture illustration by bringing narrative to the scenes, use of exaggerated perspective and a moody noir aesthetic. The lack of human presence and scattered objects add an element of mystery and suspense to the story, while the protagonist is revealed in a surprise ending. All images were drawn digitally in Adobe Photoshop using Wacom Cintiq tablet.

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