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Graphic

Explore 745 award-winning designs tagged Graphic on DXGN.

GAAHK Inauguration Ceremony Key Visual Design

GAAHK Inauguration Ceremony

GAAHK Inauguration Ceremony is a key visual design created for the twentieth inauguration ceremony of the Graphic Arts Association of Hong Kong. The visual is based on digital ink mixing, repeated more than one hundred times to reach a balanced composition of positive and negative space. The image refers to an artisan blending vivid colors for print work. The design is adapted to a digital backdrop, a sign board, a brochure, an invitation card, a souvenir and a mask. The brochure cover uses spot ultraviolet coating with silver and gold foils, so the surface can be felt by hand.

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Half Production Brand Identity

Half Production

Half Production is a photography and videography studio. The balance between lighting and shadow is something they always seek for. Meanwhile, this also coincides with their philosophy of life. Grasping the balance between half and full is just like being humble and keeping learning, the balance between function and creativity. The logo is inspired by the action of pouring the water. When the glass is full, there's no space for improvement. The action of pouring the water seems to be something we're chasing for. Be humble and keep learning.

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Ten Thousand to One Thesis

Ten Thousand to One

Ten Thousand to One is the visual identity for an exhibition of thesis projects by senior students of the Communication Design Program at Mahidol University International College. The identity uses illustration, color and key graphics to connect all displayed projects and to create a friendly and inspiring atmosphere for visitors. The design system is applied to printed and online publications, posters, typography, animated clips, environmental graphics for wayfinding, stage design, and the event booklet, gift and souvenir items.

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Transam Carriers Brand Identity

Transam Carriers

Transam Carriers is a brand identity created for a transportation and logistics provider based in Toronto, Canada. The identity is built around the Zubr, or European Bison, an animal from Eastern Europe that symbolizes uniqueness and power. The head of the animal is fitted into a triangle, and a slanted custom font gives the logo a dynamic look. Yellow and black are the two primary colors. The style is applied to corporate trucks, the website, social media, stationery, advertising and promotional products. Yellow triangles in the graphics make the brand recognizable within the industry.

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Using Stuff Poster

Using Stuff

The Using Stuff project reconstructed the movie poster using various types of objects. Artworks are inspired by the original form and function of the object as well as the signature of each movie. The objects used were made with easy to find items anytime, anywhere. The project's theme covers societal issues that are currently in question (Russian-Ukraine war, Covid-19, etc.). It is designed to be easily accessible to viewers by associating themes with famous films such as James Bond. Each work is made up of vivid colors and simple backgrounds, allowing viewers to focus more on the subject.

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BTY Brand Identity Logo and Applications

BTY Brand Identity

BTY Brand Identity is a logo and applications program created for BTY Group. The logomark is an analytical and mathematical interpretation of the moment a gennaker sail is deployed. The design also refers to the disruption that the gennaker sail brought to sailboat racing. The mark represents a future in which people lead technology. Over 300 pencil sketches preceded refinement in digital media until the intended geometry was reached. Black is the main colour, supported by bright colours. The black and white form allows easy reproduction on many substrates.

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Stories of Communication Branding

Stories of Communication

Stories of Communication is a visual identity design created for the fifteenth anniversary of a university school of communication. The main logo is a geometric graphic based on the numeral 15. From the main logo, a family of 100 sub-logos was developed. Each sub-logo presents one story, invention or initiative from the history of communication, from knotted strings used in prehistoric times to the first newspaper and the world wide web. Arranged in chronological order, the sub-logos are applied to posters, invitations, pamphlets, venue displays and souvenirs.

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Against Suicide Social Graphic

Against Suicide

Against Suicide is a social awareness poster created to address the taboo around depression and suicidal thoughts. A large vector illustration shows a chain reaction of small triggers and the phases of a suicidal process, together with possible forms of support. The poster is intended for public places such as squares and transport stops, where viewers have time to study the many details. The quiet design aims to help affected people feel understood and to lower the reluctance to seek help. Production is possible as a large poster, a flyer or a newspaper print.

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Hocan Healthy Corporate Identity

Hocan Healthy

Hocan Healthy is a corporate identity created for a brand of hydrogen and oxygen health technology products. The logo reduces the hydrogen molecule to a simple circle. Positive and negative shapes show the change between water and hydrogen, and express the field of the brand. Technology blue is used as the main color, combined with three-dimensional modeling. The logo can move between two-dimensional and three-dimensional forms across different materials and processes while remaining recognizable. The visual system is built in vector format for printed and digital media.

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Chinese Festivals Illustration

Chinese Festivals

Chinese Festivals is a series of illustrations based on traditional Chinese festivals. The series covers the Chinese New Year, the Dragon Boat Festival, the Mid-Autumn Festival and the Chung Yeung Festival. Festive elements such as firecrackers, dragon boats, zongzi and cornelian are shown in the scenes. The main colours are selected to match the atmosphere of each festival. The illustrations are drawn with digital painting software and printed at 800 by 800 millimetres. The aim is to present traditional festival culture in a contemporary visual style.

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Cafe Soul Visual Identity and Brand Design

Cafe Soul

Cafe Soul is a visual identity and packaging design for a coffee brand. The coffee is made from 100 percent Arabica beans and is offered at an affordable price. The identity uses a modular logo whose elements can be combined to form many different faces and textures. The visual language is light and young, and aims to reach new and younger consumers. The packaging is printed in a four color process with four Pantone colors on an aluminum structure. The number seven refers to the seven family members who run the farm.

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Carbon Research Brand Design

Carbon Research

Carbon Research is a brand identity created for an academic journal founded in the context of carbon neutrality. The logo combines the image of the earth with the atomic structure of carbon to express environmental protection. Line connections merge the latitudes of the earth with electron tracks, suggesting open thought and wider communication. The symmetrical and surrounding structure reflects a cohesive academic community. The combined logo is printed on journal covers and other physical media, and it remains legible at a minimum size of 20 by 5 millimeters.

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