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Graphic

Explore 745 award-winning designs tagged Graphic on DXGN.

CZBank Youth Speech Contest Event Visual Communication

CZBank Youth Speech Contest

CZBank Youth Speech Contest is the main visual identity created for an annual speech event organized by CZBank for young participants. The theme of the contest is inheriting culture like roots and creating a better future. The design combines a speech microphone with tree roots in a three-dimensional line form. Intertwined shapes and transparent materials express the transmission of cultural heritage. The visual is extended to event posters, the speech venue and outdoor promotion, so it suits media, livestreaming and on-site use.

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Rebud Healing Garden Branding Identity

Rebud Healing Garden

In the spirit of inclusivity, ReBud has crafted sanctuaries where one can commune with nature. Rooted in scientific research, it fosters well-being through immersive nature experiences. Inclusive spaces encourage mindfulness, compassion, and resilience. Within the healing garden, hope takes root, recovery blossoms, and belonging thrives. At ReBud, a tapestry of therapeutic experiences awaits, from soothing yoga sessions to intimate musical interludes, book club rendezvous, and al fresco artistry.

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Arlo Sans Type Design

Arlo Sans

Arlo Sans is a geometric sans serif typeface designed for a wide range of uses. The letterforms include subtle details and deviations that create a sense of movement. Wide counters and open apertures support clear legibility across weights and sizes. Arlo Sans was drawn with robust, reliable forms and a contemporary character, and the family was mastered for readability. More than 20 stylistic glyph alternatives are included. The OpenType format allows the typeface to be used on any computer. The design was inspired by the International Style.

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Jingting Mountain Scenic Area Brand Identity

Jingting Mountain Scenic Area

Jingting Mountain Scenic Area is a brand identity created for a key scenic area and national forest park in Anhui Province, China. The identity is based on the idea of cultural exploration through painting, so that a visit feels like walking through a scroll painting. Mountain views, pavilion forms, calm clouds, wild cranes and the local white liquor and green tea are drawn into the graphic language. Six auxiliary graphics support the main mark and can be applied in many settings. The design replaces an earlier image of narrow appeal and suits digital media.

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Cycling for a Better Future Visual Communication Design

Cycling for a Better Future

Cycling for a Better Future is a visual communication design created for the environmental, social and governance strategy of Giant Group. The strategy brings a wide range of sustainability efforts together into three pillars covering climate action, circularity and social inclusion. Bold gradient colours and simple circular shapes inspired by bicycle wheels form the visual language. The design is applied to website pages, visual identity guidelines, a brand booklet, infographics and social media images. The aim is clear communication with diverse audiences.

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I Really Like Math Interactive Textbook

I Really Like Math

I Really Like Math is an interactive mathematics textbook for school students. The textbook presents mathematical concepts through infographics to support clear reading and focus. Students can insert film or attach magnets to the pages and learn principles through direct handling. The cover is designed to be operated by students. The binding allows learning materials to be reconfigured for different curricula and additional materials to be stored. The page layout follows user experience research, with the line of sight, colors and images applied in a systematic way.

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BAKE SANS TYPE DESIGN AND SPECIMEN

BAKE SANS

Bake Sans is a geometric sans serif typeface created for branding and communication projects. The letterforms draw on the International Style and on the clarity of Swiss type design, combined with experimental shapes and curves. The family was produced with type design software and gives a consistent visual character across different applications. A companion specimen book presents the typeface. The specimen measures 210 by 290 millimetres and was printed in a limited run in four colours using digital offset printing.

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Recombination Visual Poster Design

Recombination

Recombination is a series of posters about extinct animals. Each poster places a detailed illustration of an extinct animal at the visual centre, set against a softened map of the geographic location. Highly saturated colours unify the images and separate the animals from the background. Mechanical circuit patterns are merged with the animal forms to suggest a continuation of life. The posters also present the year of extinction and the main physical features. The intent is to inform viewers and to support the protection of living animals.

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Xiaoshanxiang Pig Brand Design

Xiaoshanxiang Pig

Xiaoshanxiang Pig is a brand design created for the pork products of Xiaoyuan Village in China. The identity is based on simple countryside illustrations and on the local farming method, in which the pigs rest on straw beds. Light colors and playful drawings are used instead of the product photographs common in meat packaging. The set includes a packaging box, a waist cover made of 260 gram white cardboard with screen printing and silver stamping, a village map, coupons and posters. The aim is to raise the value of local agricultural products and to share the story of the village.

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Endless Cycle of Life Visual Design

Endless Cycle of Life

This design is inspired by the renowned location in Taiwan, the ChengLong Wetlands, situated in Kouhu Township, Yunlin. Utilizing the water's reflection as a foundation, the designer skillfully incorporates the destination's name, merging it with water ripples, waterfowl, and installation art. This design symbolizes the profound concept of the endless cycle of life, conveying the wetlands' revival and enduring sustainability.

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Hand over Hand Brand Identity

Hand over Hand

Hand over Hand is a brand identity created for a provider of special education services. The identity keeps the hand drawn hand and book elements of the earlier logo to preserve continuity and personality. Analogue, a modern typeface with gentle curves and high contrast letterforms, supports a friendly and approachable tone. Circular and square geometric cuts create a balanced composition that reflects regional and demographic diversity. The system is applied to social media, web pages, eBooks, outdoor advertising, magazines, packaging and business cards.

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China in the Classics Cultural Program

China in the Classics

China in the Classics is a promotional graphic design created for a television program about ancient Chinese classics. Books form the main subject of the design. Ancient books of the East and the West are referenced, including Chinese bamboo slips, thread-bound books, parchment scrolls and hardcover books. These forms are deconstructed and reorganized into simple visual symbols. The titles of ten classics are combined with Chinese calligraphy. The gift box uses special tactile paper. The design helps people of different cultural backgrounds understand Chinese books and stories.

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