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Graphic

Explore 745 award-winning designs tagged Graphic on DXGN.

Batchwell Branding Project

Po-Hsuan Chu Branding Project Graphic

Batchwell

Batchwell's reimagined packaging merges bold modern retro aesthetics with refined craftsmanship, creating a visually striking yet highly functional design. Vibrant colors and clean typography enhance shelf presence, while lightweight pouches and intuitive sachets ensure effortless usability. Balancing artisanal quality with convenience, the design allows consumers to enjoy premium cocktails anytime, anywhere. Every detail enhances the drinking experience, making craft cocktails more accessible and enjoyable with minimal effort.

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Cut and Paste Branding

Lisa Winstanley Branding Graphic

Cut and Paste

This project toolkit, Cut and Paste: Preventing Visual Plagiarism, addresses a topic that can affect everyone in the design industry and yet visual plagiarism is a topic that is seldom discussed. This could be due to the ambiguity between taking reference from an image and copying from it. Therefore, what this project proposes is to bring awareness to the grey areas surrounding visual plagiarism and position this at the forefront of conversations around creativity.

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Math Alive Brand Identity

VISANG Brand Identity Graphic

Math Alive

Dynamic graphic motifs enrich the learning effect of math in the blended learning environment. Parabolic graphs from mathematics inspired the logo design. Letter A and V are connected with a continuous line, demonstrating the interaction between an educator and a student. It conveys the message that Math Alive guides users to become whiz kids in math. The key visuals represent the transformation of abstract math concepts into three-dimensional graphics. The challenge was to balance the fun and engaging setting for the target audience with professionalism as an educational technology brand.

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Rock Language Fonts Integrated Typeface

Mengsheng Wang Integrated Typeface Graphic

Rock Language Fonts

Rock Language Fonts is a typeface based on the Helan Mountain petroglyphs. Study of the rock carvings revealed motifs that resemble modern letterforms. These shapes were refined and unified into a single typographic system. The typeface keeps the organic forms and irregularities of the original carvings while remaining legible. The size of the letters can be adjusted for each use. The design presents ancient rock art as a shared visual language and links early symbols with contemporary graphic design and modern media.

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Restbase Logo And Corporation Identity Design

sxdesign Logo And Corporation Identity Design Graphic

Restbase

Restbase is a logo and corporate identity design created for a brand focused on rest and recovery. The wordmark combines serif and sans serif letterforms with an intentional gap, balancing stability and flow. The RB monogram, derived from the wordmark, extends into angular framing patterns. Warm orange tones are paired with monochrome photography to express both energy and calm. Printing is carried out with high-quality methods on recyclable substrates. The identity presents rest as an active and disciplined practice rather than passive downtime.

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Chinatown Rebranding Branding

Bo Zhang Branding Graphic

Chinatown Rebranding

Chinatown Rebranding is a visual identity and poster project created for the Chinatown district of Los Angeles, California. The new visual system represents the cultural heritage of the neighborhood. Design elements connect the historical significance of the old Chinatown with the modernity and revitalization of the new plaza. The graphics show the fusion of Chinese and American cultures and highlight the local identity. Each poster measures 24 by 36 inches. The project was completed in 2023 and follows research on the integration of Asian and North American cultures.

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Base Visual Identity

Lance Francisco Visual Identity Graphic

Base

Base is a visual identity for a brand of Chinese religious goods. The logo places the letter b within a woven structure inspired by Chinese knotting, an ancient folk art associated with unity and good fortune. Repeating woven patterns reflect the cyclical nature of belief. A palette of black, red and gold is calibrated for both print and digital use. The system includes a scalable logo, brand typography, custom patterns, packaging and website design. The aim is to keep tradition relevant for a new generation.

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Taishun City Brand Identity

Ying Gao Brand Identity Graphic

Taishun City

Taishun City is a brand identity designed for a city. The logo is built from lines that form the city name, creating a modern and minimal mark. The white space inside the logo is treated as an open area where different urban visual symbols can be shown. The mark can be adapted through changes in line and shape, so recognition remains strong across many applications. Vector formats allow the logo to be scaled to any size, from business cards to outdoor advertising. Printed brand materials use recyclable and biodegradable stock.

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Xi'an Chang'an Lantern Festival Illustration

HUI QIONG YANG Illustration Graphic

Xi'an Chang'an Lantern Festival

Xi'an Chang'an Lantern Festival is an illustration series created for a cultural tourism project. The artwork depicts the Shang Yuan Lantern Festival as it was celebrated during the Tang Dynasty. The Lantern Festival began in the Western Han Dynasty more than 2100 years ago. The illustrations draw on lantern festival traditions of the Tang, Song, Yuan, Ming and Qing dynasties, and on classical paintings such as the Shengping Joy Picture and the Shangyuan Lantern Color Picture. The vivid scenes show the busy and festive life of the ancient celebration.

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Banov Store Graphic

Wu Yao Graphic Graphic

Banov Store

Banov Store is a graphic pattern design created for a store located along the route of the Ten Thousand Miles Tea Road in China. The wallpaper patterns are inspired by the major cities along the tea route, combining city outlines, natural scenery and animal figures. Three sets of patterns are based on the architectural features of the historic Ba Gong house, which are simplified and rearranged into visual symbols. The style refers to nineteenth century arts and crafts design. The patterns are also applied to store spaces, exhibitions and product packaging.

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Easygo Corporate Identity

Xingyue Deng Corporate Identity Graphic

Easygo

The design integrates the directional meanings of the Chinese characters for up and down into a visual language that transcends linguistic boundaries. By emphasizing intuitive functionality through concise and culturally embedded forms, the design communicates effectively across different user groups. Its clear structure, vibrant tone, and playful interaction reflect thoughtful attention to usability and visual storytelling. Through symbolic representation and minimal aesthetics, the design delivers a distinctive and engaging user experience.

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D'Caramel Patisserie

Olha Takhtarova Patisserie Graphic

D'Caramel

D'Caramel Patisserie is a brand identity and packaging design created for a pastry shop. The system includes a logo, hand drawn illustrations, patterns and boxes in three sizes. Soft pastel colors and detailed drawings of desserts and botanical motifs express the handmade character of the products. The bluebonnet flower of Texas is added as a local reference. The boxes are made of premium cardboard with offset printing and a matte finish. Precise die cutting allows simple assembly and protection for fragile pastries.

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