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Explore 40 award-winning designs tagged Exhibition on DXGN.
This is an exhibition of furniture in a large scale store in Brazil. Different spaces were created to enhance the feel of each product, whether colorful or minimal. The special products are displayed in the burgundy part of the store, while the neutral, easier to use products, are displayed in the white part of the store. There's also a third space, in darker colors, where deeper toned furniture and products are exhibited.
Dekton and Cosentino Pavilion is an exhibition space designed for a design fair in Shanghai. The pavilion covers 150 square meters and uses an open layout to guide visitors through the space. Three functions are provided: product display, customer interaction, and a coffee and water bar. Floors, walls, ceilings and counters are clad with ultra-thin stone panels that are 4 millimetres thick and up to 3.3 by 1.4 metres in size. The panels are dry hung, so the pavilion can be assembled in twelve hours and later dismantled and reused.
Red House is an art installation created for a lantern festival in Taipei. The work forms a tunnel corridor of eight sides, built from stainless steel pipe and laser cut metal sheets. Each side carries carved images of the Ximending area placed in chronological order, starting with the Red House building of 1908. Computer controlled LED lights illuminate the panels and brighten the street. Fluorocarbon baking paint protects the surfaces for long term display. Visitors walk through the corridor and read the history of the city through pictures rather than text.
The space was designed as a temporary exhibition inside a store, aiming to present office furniture in a more gallery like and less commercial way. Instead of a formal retail display, the layout allows each piece to be experienced with more attention and clarity. The dark gray interior of the store acts as a contrasting backdrop for a rich selection of almost monochromatic fabrics and finishes. These tones were carefully chosen to highlight the design and details of each piece while keeping the overall composition calm and visually balanced.
Envisioning Beyond Legacy is a multimedia exhibition to showcase the planning and infrastructure achievements of Hong Kong over the last 25 years, as well as the future development directions. Interactive installations and games are largely adopted to drive self-exploration of information by the public on their own initiative and provide an immersive visiting experience. Also, the inclusive design creates a barrier-free environment for everyone in the community.
2025 Kaohsiung XR Dreamland is an exhibition design created for an immersive film program in Kaohsiung, Taiwan. The layout covers about 1,000 square meters and holds 22 experience booths measuring 3 to 12 square meters each. Every booth extends the virtual content of its own program into physical form, while a shared future retro theme links the booths as individual cinema halls. Streamlined curves, mirrored acrylic and transparent LED panels shape a glowing entrance and a vintage ticket booth. The route guides visitors gradually from reality into virtual worlds.
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Living Reef is a public exhibition that presents research on sustainable design. The exhibition shows work made with Direct Ink Writing 3D printing and circular materials, including recycled slurry, low carbon cement and clay. Small scale fired clay prototypes and large printed components are displayed on plinths and in enclosed cabinets. The layout follows a clear route, from concept development and digital modeling to material tests, fabrication limits and final prototypes. The aim is to explain how design education can support circular material use and coral reef restoration.
Yongqing Fang Grand Theater Renovation is an interior design for an exhibition and investment promotion center in Guangzhou. The theater is a landmark of Yongqing Fang on Enning Road, a renovated old street known for time-honored brands and tourism. The design contrasts old and new elements. Box-like volumes organize the irregular space of 334 square meters. The ground floor holds project exhibitions, while the upper floor is used for negotiation. Materials include wood veneer, white paint, black aluminium panels and grey tile. Frosted steel and glass doors link interior and street.
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Luminous Island is a light art exhibition held in Penghu, Taiwan. The theme is the ocean world of Penghu in autumn and winter. Thirteen light art installations are inspired by marine creatures. The lanterns combine fabric with small LED lights, instead of the usual iron and fabric structure. Fiber optics are used to shape a marine kingdom, and mechanical parts allow some lanterns to open and close. Corridors at the entrance and the exit form the feeling of entering and leaving an underwater world. Rust-proof and corrosion-resistant materials protect the lanterns near the sea.
Towards Nature Towards You is an art exhibition space of 199 square meters located in the Panyu district of Guangzhou, China. The design translates the exploration of the local area into simple architectural forms, which are assembled into a physical structure inside the space. The arches are built in different sizes, so that visitors of different ages gain distinct visual and physical perceptions. The stage and the arches can display exhibits or serve as seating areas. Old red bricks, cement and wood give the interior a local character.
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Unlimited Center of Art is an art center interior located in Hebei, China. The design covers 3200 square meters and contains two independent spaces, a community entrance and an art center. Galleries, multi-functional exhibition halls and outdoor plazas support daily art activities. Artworks are placed at the center of the space, and natural daylight is guided into the main display areas. Openings in the building skin are reduced to create a dark interior. The main material is algae clay, and black bamboo curtains and a recycled steel structure complete the design.
The Beijing 751 International Design Week's identity merges heritage with innovation, using geometry and a nuanced color palette to engage diverse audiences. Overcoming time constraints and aesthetic diversity, the project highlights cultural narratives through interactive invitations and digital-physical design synthesis. This approach creates a visually compelling identity that reflects the festival's theme, showcasing design's power to connect past and future.